Opéra National de Paris
Read MoreBarton owns her role with a rare kind of confidence, a kind of here-I-am manner of occupying space that deprives the character of all the ridicule and objectification.
Read MoreBarton owns her role with a rare kind of confidence, a kind of here-I-am manner of occupying space that deprives the character of all the ridicule and objectification.
Read MoreBarton delivered one of the most artistically superb performances one has seen at the Met these past several seasons. Her singing was show-stopping and by far the most successful part of the evening.
Read MoreWith the majestic pull of her boundless alto voice, Jamie Barton - after Tove's death - turned the song of the wood dove into a magical dirge.
Read MoreBarton was absolutely wonderfully in sync with the music and orchestra. There are many recordings of ‘Das Lied’ and many singers are famous in that regard, from Kathleen Ferrier to Christa Ludwig. Jamie Barton slipped right into the ranks of the best singers of all time.
Read MoreJamie Barton, the force-of-nature American mezzo-soprano, was the soloist: her coppery voice, too, is a giant instrument, but she wielded it with minute attention to diction and meaning.
Read MoreBarton has solidified her status as one of the most distinctive voices in the opera world... A reminder of what makes Barton’s sound unique: a rare plushness and consistency of tone, a sense of effortless vocal power, and an upper extension that can thrillingly maintain the color and depth of the middle voice.
Read MoreAs is often the case in these Gurre-Lieder, the mezzo steals the show. Barton has the privilege of serving one of the peaks of the work. Above all, she has superb projection which allows her to find superb phrasing.
Read MoreIn her climactic scene, Barton cuts loose both vocally and dramatically, giving full vent and desperation to Amneris’s jealousy and self-recrimination.
Read MoreAn extraordinary event…the quartet of soloists, including Jamie Barton, magnificently projected the verses of Goethe. The public's trance, as soon as the final chord fades, reflects the just enthusiasm that such an accomplished interpretation of this world work arouses.
Read MoreJamie Barton’s debut in Valencia with the Wagnerian Wesendonck Lieder was a real revelation. She only needed a few phrases from the first song to captivate us with her beautiful instrument, and the last two songs delivered the absolute height of vocal and expressive brilliance.