Adalgisa in NORMA

Houston Grand Opera

Mezzo Jamie Barton, conquering international singer, supplies smoky velvet tone and incomparable artistry... When you hear Barton's glorious plangency, you want this opera renamed Adalgisa…

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Beth Stewart
Eboli in DON CARLO

Washington National Opera

Barton was the star of the evening, elevating the mezzo role of Princess Eboli from vengeful femme fatale to a wounded but sympathetic courtier, both perpetrator and victim of the palace’s sexual intrigue. Her Veil Song was coy and sultry, and the showstopping “O don fatale” was a magnificent study...
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Beth Stewart
Adalgisa in NORMA

Metropolitan Opera

From the first lines of her entrance prayer Barton boldly gave notice that this was going to be an old-school, gratifyingly big-voiced Adalgisa...
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Beth Stewart
Léonor in LA FAVORITE

Teatro Real Madrid

Debuting with an already fully developed interpretation, the justly deserved standout among the vocal cast was Jamie Barton, who offered a magnificent Leonor. A big voice – meaty and velvety, with generous volume and extensive range – it’s also delicate, with an attractive timbre and impeccable placement, and a homogeneous lined-up sound…

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Beth Stewart
Fricka in DAS RHEINGOLD

New York Philharmonic

Barton possesses a powerful mezzo-soprano that she can fashion to fit various demands, summoning up a hard amber sound when she needed to project authority, and finding a much softer, more lyrical note in her lamentations…

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Beth Stewart
Waltraute / 2nd Norn in GÖTTERDÄMMERUNG

Houston Grand Opera

Mezzo Jamie Barton is already an international phenom with that dazzlingly creamy voice and commanding stage presence. As Waltraute, she shines most bright in an achingly beautiful mini-scene that displays her glorious voice to full effect…

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Beth Stewart